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打边鼓是民间俗语，意思是旁敲侧击，多指侧面帮其他人、事说些好话，或者侧面做些事情来协助。意思类似的成语有：旁敲侧击。区别于旁敲侧击，打边鼓偏向于一个正面的、褒义的、轻松的，和更积极主动的意思。
打边鼓DBG是深圳“打边炉DBL”艺术机构的子品牌，现阶段希望进行一些艺术类儿童教育方面的教育和传播工作。
打边鼓，区别于“打鼓”本身，即为不打鼓的中心、不打出最大的鼓声，可能也不是整套乐谱的核心，从边上打，声音小一些，力度也弱一些，重要度可能也将一些。这种打发，一方面为了衬托最重要的鼓声，一方面从边界敲，会逐渐进入中心。鼓声若响，声音渐强，是一个进步和学习的过程。
打边鼓，打的是鼓边，如果蒙上眼睛，敲鼓的边，会在边界不断敲击的过程中，逐渐发现鼓的形态，也许不是圆形的鼓？可能是方形的或者椭圆形的鼓？这只有在不断的敲击中才会发现鼓的形态，在不断的敲击中从边界逐渐接触到整体，从整体再看到中心。边界和中心的关系，节点和整体的关系，是一个从边界看到中心的过程。
我们将打边鼓DBG的形态设计成一个动态的，由柔软、无边界、不具体的的体块交融而成的形体，不断运动和变化。就像用图像在抚摸事物边界，我们用无声的图形，试图表达敲击鼓边，寻找边界这一个声音行为。
打边鼓DBG是深圳“打边炉DBL”艺术机构的子品牌，现阶段希望进行一些艺术类儿童教育方面的教育和传播工作。
打边鼓，区别于“打鼓”本身，即为不打鼓的中心、不打出最大的鼓声，可能也不是整套乐谱的核心，从边上打，声音小一些，力度也弱一些，重要度可能也将一些。这种打发，一方面为了衬托最重要的鼓声，一方面从边界敲，会逐渐进入中心。鼓声若响，声音渐强，是一个进步和学习的过程。
打边鼓，打的是鼓边，如果蒙上眼睛，敲鼓的边，会在边界不断敲击的过程中，逐渐发现鼓的形态，也许不是圆形的鼓？可能是方形的或者椭圆形的鼓？这只有在不断的敲击中才会发现鼓的形态，在不断的敲击中从边界逐渐接触到整体，从整体再看到中心。边界和中心的关系，节点和整体的关系，是一个从边界看到中心的过程。
我们将打边鼓DBG的形态设计成一个动态的，由柔软、无边界、不具体的的体块交融而成的形体，不断运动和变化。就像用图像在抚摸事物边界，我们用无声的图形，试图表达敲击鼓边，寻找边界这一个声音行为。
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设计总监：张烁
设计师：刘玉清、王小阳、黄静、周谢伊
设计总监：张烁
设计师：刘玉清、王小阳、黄静、周谢伊
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“Da Bian Gu (Beating the side of a drum)” is a folk adage which means being a sidekick for someone by helping someone or something with sweet-talking or doing something to assist. An idiom with similar meaning is: attack by innuendo. But different with it, “beating the side of a drum” is more of a positive, commendatory, relaxing and active way.
Da Bian Gu-DBG(beating the side of a drum) is a sub brand of an art institute of “Da Bian Lu-DBL”, and at the current stage they are hoping to do more work in education and communication of children art education.
Beating the side of a drum is different with drum beating, for that it is not beating the center of a drum, and making the loudest noise. It’s may not be the core of a music, because beating the side means smaller sound, less power and less importance. This way of beating is for emphasizing the most important drum beat on the one hand, and on the other hand, it starts from the side but will be slowly entering the center. The sound of the drum beating gradually gets stronger, which implies a process of learning and making progress.
Da Bian Gu-DBG(beating the side of a drum): beating the side of a drum, if with your eyes closed, maybe you will find about the form of a drum during beating on the side. Maybe it’s not a round drum. Maybe it’s square or ellipse. You can only find out during beating the drum, and you can only get to the entirety by beating on the side, and then from the entirety into the center. The relations between boundary and center, node and entirety, is a process looking from boundary to the center.
The form of the Da Bian Gu-DBG is designed as a non-stop moving and changing from which is integrated by blocks of softness, no boundary and no certainty. It’s like feeling the boundaries of things with images. We tried to express a sound behavior of beating the side of a drum, searching for the boundaries with soundless images.
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Design Director: Zhang Shuo
Designers: Liu Yuqing, Wang Xiaoyang, Huang Jing, Zhou Xie
Designers: Liu Yuqing, Wang Xiaoyang, Huang Jing, Zhou Xie
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